Recently when I did not want to work on my current sewing project, or leave the warmth of my couch, I decided to try and make a couple of the hair pins listed in Egan and Pritchard’s Dress Accessories. The copper alloy wire pins were found in the Finsbury Circus dig, and are dated to the 14th-century. The ones in Dress Accessories are U-shaped and about 2” long, decorated with curled wire, they are shaped similar to modern hair pins, although they are larger than most modern hair pins.
Frequently when I tell someone that I make pourpoints I receive a response along the lines of “Wow, aren’t those sleeves really hard to figure out?”, so after considering this response I tried to figure out what part of making a pourpoint was stumping so many people who are otherwise strong sewers. The body of the garment is either three or four pieces, two front pieces and one or two back pieces depending on whether it is cut on the fold, there is an upper sleeve with added gussets and a lower sleeve, in all seven separate pattern pieces.
So about a week ago at Midrealm RUM (http://midrealm.org/rum/) I managed to confuse my entire class by mentioning that the triangle piece inset into the skirt of my gown was a godet. So I sort of confusingly explained with no visuals the difference between a gore and a godet. Here is that same description, now with visuals!
The pourpoint is a padded garment, that by most accounts began life as a fitted garment to be worn under armour and assist with fastening armour to the body. Many reenactors wear padded and unpadded pourpoints as an arming cote and fasten their leg and/or arm armour directly to the garment via points either sewn directly to the garment or threaded through leather that has been sewn to the garment. Having made a number of these garments I can attest, though others, to their general comfort while also reducing the encumbrance of the armour. An alternative to the arming cote, and a common method of fastening leg armour to the body amongst people just getting into western martial arts is through the use of a C-belt or weightlifting belt from which the leg armour is hung, this solution has the unfortunate problem of pressing on the sciatic nerve, not very comfortable. While some wear a sleeveless version of the arming cote full mobility of the shoulders and arms can be obtained in a long sleeve version as well, provided the patterning of the sleeve is done correctly.
So I finally created a blog… We’ll see how it goes from here, but it will be mostly information about creating and wearing 14th-century clothing, with other centuries thrown in for good measure. 🙂